Shame Is A Film That Is Well Worth A Look

Shame, a film by Roger Corman, is really a startling piece of cinema. Corman is well known as a schlock-meister. It was a strong business model, he would hand some young director a small budget and have them create a cheap, marketable B movie. This was how he paid the bills, but, beyond the B horror and exploitation movies, he was also a truly skilled filmmaker, and more than a few movies beyond on your queue the next time you sign into your movie download service.

The film is shockingly courageous when you take the context into consideration. Shame is about racial relations and tensions in small southern towns. Now, when people were making movies like this in the eighties and nineties, decades after the success of the civil rights movement, that’s one thing. Corman took a crew down to a real small southern town during the civil rights era and actually filmed on location, where he and his team were constantly subjected to harassment and threats from the local populace.

William Shatner turns in one of his finest performances as the charming villain, a political agent who has arrived in town for one purpose only: To incite racially motivated violence so as to sway the vote in favor of his segregationist employers. He enjoys doing this, and he uses his boyish good looks and innocent charm to deliver a villainous performance that really crawls under your skin.

The idea of casting Shatner as a vile, disgusting villain may have been inspired by the charisma of Adolf Hitler: You need a charming man to sell evil ideas.

The final shots of the film were literally grabbed on the run. The shots used at the start of the film were actually recorded while the police were literally, physically closing in and chasing Corman out of town, forcing him to hurry up and wrap the shoot, throw all the equipment in the trucks, and get the heck out of there.

At this year’s Oscars, the lifetime achievement award goes to Roger Corman, and there has been remarkably little coverage of his life and his work. It’s too bad, because few filmmakers have contributed so much to the world of cinema for so little thanks.

Corman primarily made his name producing and directing schlocky monster movies, girly flicks and so on, but he also directed some real classics, and launched the careers of many cinematic legends, including Jack Nicholson, Martin Scorsese and Dennis Hopper. His studio taught many young actors, writers and directors the ropes, showing them how to produce a good movie on a limited budget and schedule, and he truly was one of the key figures in shaping the world of the modern American cinema.

If you still haven’t seen any of Corman’s good movies, start with this one, then check out X: The Man With The X-Ray Eyes. Yes, he made a lot of cheap monster movies, he made the sort of sci-fi flicks where you could see the zippers on the alien’s suit, but he also made some true classics both in the horror and sci-fi genres, and outside of his familiar territory, and Shame is an example of what gifts the man has when he can step away from the marketable genres and really put his heart and daring into a project.

But, even if you absolutely cannot give up your job, why not take up music seriously at the same time’ bee movie ending ” Still, it’s attention, albeit negative attention, and that’s probably enough for Paris to deem it “hot. ” they would be turned away never to hear from us again.

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